Three uneven sides are an alternative to the traditional layout. Designed to seat 7, in the formation 3+2+2. The appearance changes depending on the wood or lacquer finish but the pattern of the three-branch structure emerges on the top’s surface creating a graphic decoration to contrast with or match the colour of the top.
light MDF wood fibre panel
satin painted or veneered: grey oak, brushed light oak, brushed black oak or smoked oak
Table top insert:
painted MDF wood fibre panel
painted tubular steel
Support frame and insert table top finish:
chalk white painted or slate black painted
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Since the beginning of his career - a 1990 graduate of Paris’ ENSCI-Les Ateliers, Paris Design Institute -, Jean-Marie Massaud has been working on an extensive range of works, stretching from architecture to objects, from one-off project to serial ones, from macro environment down to micro contexts. Major brands have solicited his ability to mix comfort and elegance, zeitgeist and heritage, generosity and distinction.
His quest for lightness synthesizes three broader stakes: individual and collective fulfillment, economic and industrial efficiency, environmental concerns. His creations, whether speculative or pragmatic, explore this imperative paradigm: reconciling pleasure with responsibility, the individual with the collective.
Among his most sensational projects that illustrate this philosophy, the stadium for the city of Guadalajara, Mexico. A cloud and volcano-shaped building, integrated in a vast urban development program that re-unites leisure and culture, nature and urbanization, sport aficionados and local citizens.