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Harry

Antonio Citterio

1995
Harry Armchairs
Harry Armchairs 1

Description

The Harry armchair, named after Harry Bertoia, one of the great masters of design, is devoted to comfort due to the perfect relationship between the inclination of the backrest and the seat. The most distinctive element, common to all the sofas of the same series are the feet – a small detail capable of granting a light, modern personality to a product with a rather traditional appearance. The cover is available either in fabric or in leather.

The height of the front feet from ground is 11 cm (4 3/8"); the height of the rear feet from ground is 7,5 cm (3").

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Concept

"Most of the time, design is made up of details," said Antonio Citterio, "mainly for upholstered furnishings, where design has become a question of sensitivity."

Harry is named after Harry Bertoia, one of the grand masters of design, in line with Antonio Citterio's decision to consistently name his creations after famous designers from the past. It is a sofa that opened a new path in the sector, attributing value to the apparent simplicity of the formal appearance while calling attention and recognition to the furniture foot.

Harry was created in 1995 after a detail was modified. But let's let the designer tell that story. "Harry emerged after a series of products connected with tradition. I was convinced that that family of sofas didn't work because something was missing. It needed some sort of thing to draw it into modernity. This is important because, even if nobody knows, 'Harry' is the same product with one detail modified: the aluminium foot. It's a small detail that conveyed a certain sense of lightness, that allowed us to transform the approach from a product bound to tradition to a decidedly modern product. And that was all it took for it to become successful. However, Harry was also proof of the equilibrium that had been established between the project and its industrial development, and between the designer and the B&B Italia Centro Ricerche. My designs are almost simple sketches that express an idea. I depend on the dialogue and story telling with the research and development department to do the rest."

Technical information

Armazón interior
tubulares y perfilados de acero

Relleno armazón interior
espuma de poliuretano flexible en frío, forro en fibra de poliéster

Relleno cojín asiento
poliuretano conformado de densidad diferenciada, pluma esterilizada, forro de algodón

Relleno cojín respaldo
poliuretano conformado, pluma esterilizada, fibra de poliéster, forro de algodón

Patas
chapa y aluminio extruido

Tapicería
tejido o piel

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Designer

Antonio Citterio

Antonio Citterio wurde 1950 in Meda (Mailand) geboren. 1972 gründete er sein Designbüro und schloss 1975 sein Architekturstudium am Mailänder Polytechnikum ab. Zwischen 1987 und 1996 arbeitete er mit Terry Dwan zusammen, mit dem er gemeinsam Gebäude in Europa und Japan entwarf.

Im Jahr 2000 gründete er zusammen mit Patricia Viel ein Büro für Architektur und Interior Design, das internationale, komplexe und langfristige Projekte in allen Größenordnungen und in Synergie mit einem qualifizierten Netz von Fachberatern entwickelt. Das Studio trägt heute den Namen „Antonio Citterio Patricia Viel“. Citterio arbeitet derzeit im Bereich des Industriedesigns mit zahlreichen italienischen und ausländischen Unternehmen zusammen. In den Jahren 1987 und 1994 wurde er mit dem Compasso d’Oro-ADI ausgezeichnet. Von 2006 bis 2016 war er Professor für Architekturdesign an der Akademie für Architektur in Mendrisio (Schweiz). Im Jahr 2008 wurde er von der Royal Society for the Encouragement of Arts, Manufactures & Commerce in London mit dem Titel „Royal Designer for Industry“ ausgezeichnet.

Antonio Citterio ist Kreativdirektor von Maxalto, Arclinea und Azucena.

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